An example of the colours knowing what to do, Autumn has versatility of texture. Silky fabric is not traditional for Autumn. Our eyes position brightness and darkness level better. Without comparing at the same time, we wouldn't know how warm. The colour is light for this Season, and could be a nice hair highlight for Soft Autumn but dark to wear as blush. ![]() Neither a denim jacket nor a boxy blazer, this blouse expresses Autumn strength in fabric with substance, softness in low contrast prints, and folds that are both soft and deep. Washed pink copper is the blush that mimics the natural flush. This is the continuation of Soft Summer’s holographic illusion, colours through haze, warmed enough here to feel earthly, still with the restraint that creates the delicacy and grace of the Soft Seasons. Soft colour feels fleeting, momentary, impossible to hold, like smoke that's forever shape-shifting. I was thinking of natural blush and lip colours when I called them pink. These are coppered variations, as you see. The colours seem to know what to do and say, making them so easy to work with. Autumn colours are soft enough, including Dark Autumn, to be suggestive with light, and are able to make their statement in a wide variety of fabric weights and textures. Autumn is soft enough to accommodate Summer in the Soft Autumn, and dark and dense enough to meet Winter’s weight in Dark Autumn, and have its voice be heard. Like drawing on more resources to pull out of a singularity, Winter pulls light in and we wanted Spring to shine out.Īutumn colours express themselves by their very nature. Spring colours are light and could be overwhelmed by Winter's properties. You may have seen the recent post, Look Bright Winter, Not True Winter, where we talked about using Spring impressions along with colours for Bright Winter. Reflection of light is flat rather than deep, and sharp as highlights condense to a smaller point = high density. Shapes, edges, and borders are plain to see, not implied = high definition. In Winter,Ĭolour is obvious rather than suggested = high saturation. True Autumn is #4 in the line-up. Seasons are added along with the videos in this series for LinkedIn (on Jorunn's profile page at Jorunn Hernes Nordic Simplicity).Ĭompare these ideas of subtlety and shape with the all-or-none effects of rubies or sapphires of the 3 Winters. More information about Autumn looks is also available in the superb and useful Business Casual blog posts at Nordic Simplicity. They have depth. You can read more about Autumn's 3D light in the blog post at Chrysalis Colour, The Right Polish for Autumn Skin. Autumn light makes shapes that are rounded and 3D. I forgot that when I was speaking but the same ideas apply.)Īutumn colour is nuanced, moving through levels of light, distance, and reflection. You can tap the white balance button repeatedly to loop through available modes until you find the one that is best for your setting.(The images began as columns until I realized groups would fit the 16:9 movie screen ratio for images better. You may also need to enable the white balance feature to improve color accuracy whenever you are indoors or under direct sunlight. ![]() To turn the flash on or off, click on the light button at the top-right corner. ![]() In a low or poorly-lit environment, turn on your mobile phone flash. ![]() Many raised bars mean that the captured color is perfect for your color type. The bar’s height grows with the likeness between the captured color and the color in the palette. Each bar signifies an individual color in the active palette. There is a row of colorful bars at the bottom of the screen. Tap the square swatch to open the captured color in the Fabric Preview Page. You can switch between the two modes by clicking the lock icon on the square swatch. Overlay mode allows you to freeze the color of the square swatch and see how the captured color (star rays) and the chosen color (square swatch) work together.
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